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・ Zbigniew Pacelt
・ Zbigniew Pakleza
・ Zbigniew Paleta
・ Zbigniew Pełczyński
・ Zbigniew Pierzynka
・ Zbigniew Pietrzykowski
・ Zbigniew Piątek
・ Zbigniew Podlecki
・ Zbigniew Podraza
・ Zbigniew Preisner
・ Zbigniew Przybyszewski
・ Zbigniew Raszewski
・ Zbigniew Religa
・ Zbigniew Robert Promiński
・ Zbigniew Romaszewski
Zbigniew Rybczyński
・ Zbigniew Rynasiewicz
・ Zbigniew Sawan
・ Zbigniew Schodowski
・ Zbigniew Seifert
・ Zbigniew Siemiątkowski
・ Zbigniew Skrudlik
・ Zbigniew Sosnowski
・ Zbigniew Spruch
・ Zbigniew Stonoga
・ Zbigniew Stryj
・ Zbigniew Suchecki
・ Zbigniew Szafrański
・ Zbigniew Szczepkowski
・ Zbigniew Szewczyk


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Zbigniew Rybczyński : ウィキペディア英語版
Zbigniew Rybczyński

Zbigniew Rybczyński (; born January 27, 1949) is a Polish filmmaker, director, cinematographer, screenwriter, creator of experimental animated films and multimedia artist who has won numerous prestigious industry awards both in the United States and internationally including the 1983 Academy Award for Best Animated Short Film for ''Tango''.
He has taught cinematography and digital cinematography, and has worked as a researcher of blue and greenscreen compositing technology at Ultimatte Corporation. He is renowned for his innovative audiovisual techniques and for his pioneering experimentation in the field of new image technology.
In March 2009 Rybczyński returned to Poland, taking up residence in Wrocław, where he has set up the Center for Audiovisual Technologies (CeTA) at the site of the city's historic Feature Film Studio. The center, which officially opened in January 2013, includes a state-of-the-art studio designed by Rybczyński for the production of multi-layer film images, and an institute for research into images and visual technologies.
After Rybczynski discovered and published huge corruption in CeTA, they fired him and subsequently he declared the renunciation of his Polish citizenship.
==Early life and career==
Rybczyński was born January 27, 1949 in Łódź, Poland. He grew up in Warsaw, where he attended a secondary-level art school and then worked briefly at the Studio Miniatur Filmowych (1968-1969). He studied cinematography at the Łódź Film School (1969-1973); his thesis films were ''Take Five'' and ''Plamuz''. During his studies he became a founding member of the Film Form Workshop (Warsztat Formy Filmowej), the most important Polish neo-avantgarde group. He also honed his film-making skills working as a cinematographer for young directors like Andrzej Barański, Piotr Andrejew, Wojciech Wiszniewski and Filip Bajon on shorts, documentaries and educational films, and on Grzegorz Królikiewicz's feature-length ''The Dancing Hawk'' (''Tańczący Jastrząb''). His films from the period include: ''The Talk'' (''Rozmowa''- TV) and ''Gropingly'' (''Po Omacku'') by Andrejew, ''Videocassette'' (''Wideokaseta'') by Bajon, and ''Wanda Gościmińska włókniarka'' by Wiszniewski. From 1973 to 1980 Rybczyński made his own films at the Se-Ma-For Studio in Łódź. He established the Dr. Stanzl special effects studio in Vienna for the Austrian public TV station ORF, and worked there from 1977 to 1980. During the political unrest in Poland in 1980 he was the head of the founders' committee of the Se-Ma-For studio branch of Solidarity.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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